A practice shaped by sound as space, memory and physical sensation. Through multichannel composition, spatial audio, ambisonic and binaural recording, field recordings, voice, electronics and tactile sound, these works explore how music can be felt beyond the ears.
Often unfolding through installations, live environments and site-responsive encounters, the work invites audiences into intimate sonic spaces where sound moves around the body, gathers atmosphere, and becomes something to enter, touch and inhabit.
Can You Hear Me (2025)
Composer, Sound artist
(Part of “Mind The Gap” by Alison lam, Funded by Arts council England)
- Walk-in installation with 12-minute audio and 2-minute looped projection. Exhibited at: Seesaw Space, Manchester, UK. Funded by Arts Council England
- Sensory box installation with headphones, 12-minute audio and 2-minute looped projection. Adapted installation exhibited at: Westminster Library, London, UK. Funded by Arts Council England.
Can You Hear Me is a multisensory spatial audio installation that explores the inner world of the neurodivergent mind. Using spatial sound, immersive projections, and silk scrolls drawn by neurodivergent participants, it evokes the intensity of sensory overwhelm where perception is both amplified and distorted. The work invites neurotypical audiences into this experience, creating a shared space of empathy, tension and beauty.
MADET: Music Archaeology Design Engineering Team, Middlesex University (2024-2026)
Sound recorder, Sound editor, Special Sound Designer
Vindolanda Recording, 2024
Ambisonic and binaural sound recording with spatial sound design and multi-channel mix.
Captured on-site at Vindolanda, a Roman auxiliary fort near Hadrian’s Wall, this project explores the acoustic presence of ancient instruments in their original archaeological context. Using an ambisonic microphone, binaural head, and directional mics, I recorded live performances of the Zambec with a metal trumpet mouthpiece, short horn, Cornu, and A-foot C horn. The spatial recordings were later mixed and diffused through a multi-channel speaker array to create an immersive listening experience that evokes the sonic atmosphere of Roman Britain.
Lindow Moss Dawn Walk (2024)
Sound Recorder, Spatial Sound Desginer
Lindow Moss Dawn Walk, 2024
Site-specific dawn performance and ambisonic sound recording on the Carnyx. Performed on a wooden platform within the peat bogs of Lindow Moss, near Manchester.
Part of a festival honouring the Lindow Man, a prehistoric bog body discovered in the 1980s, this piece explores themes of memory, ritual, and ecology, with a focus on the cultural and environmental significance of peat bogs. I captured the performance using ambisonic sound recording techniques to fully preserve the spatial atmosphere of the dawn setting. The Carnyx, an ancient instrument historically found in bogs, was played live from a wooden platform in the marsh. The recording included natural ambience and audience interaction, forming the basis for an ongoing process of spatial sound design and mixing that enhances the immersive qualities of the work.
Echoes of the Unseen (2019)
Surround sound artist, composer, performer
Echoes of the Unseen, 2019
13.1.4 multichannel surround immersive live sound performance, 25 minutes. Performed at: University of West London, UK
Echoes of the Unseen was a spatial audio composition tracing the emotional journey of a man losing his eyesight. Through immersive soundscapes, the piece follows his shifting perception as he moves through confusion, frustration, and eventual acceptance, inviting the audience to feel the world as he learns to sense it anew.
A Walk Among Memories
Binaural sound artist, Performer
A Walk Among Memories, 2019
Interactive binaural sound performance using real-time audio capture and processing with live singing. Performed at: University of West London, UK
A Walk Among Memories invites participants into an intimate sonic experience where memory and vulnerability meet through sound. Using binaural microphones worn by a live performer, the piece captures whispers, responses, and ambient gestures from the audience in real time. These sounds are manipulated and layered with live singing to evoke the fragility of cherished memories—those we carry closest to the heart. The performance becomes a shared act of listening, where the most personal feelings are transformed into ephemeral, collective sound.
MOOLLONKYEN 